The Baboons of Hada

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Describe the connection issue. SearchWorks Catalog Stanford Libraries. The baboons of Hada : selected poems. Responsibility Eric Ormsby.

Uniform Title Poems. Selections Imprint Manchester [England] : Carcanet, Physical description p. Online Available online. The Best Poems of Dorothy Porter. Chris Wallace-Crabbe.

The Baboons of Hada (Electronic book text)

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Cellar by Eric Ormsby | The New Criterion

Robin Morgan. Peter Redgrove. John Fuller. Marie Ponsot. Telephone Poles and Other Poems. John Updike.

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Sky Nails. Jamie McKendrick. Penelope Shuttle. Maurice Riordan. The Grey Among The Green. Collected Earlier Poems. Anthony Hecht. Fata Morgana. Reginald Shepherd. Ormsby is a poet of celebration. He revels in the order and design of creation. To fauna he adds flora, often the humble, homely sort still beautiful in design—milkweed, mullein, lichens and skunk cabbage.

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His sonnet to the last-named flower concludes with these lines:. It always seems so squat, dumpy and rank, A noxious efflorescence of the swamp, Until I got down low and looked at it. Now I search out its blunt totemic shape And bow when I see its outer stalks Drawn aside, like the frilly curtains of the ark, For the foul magenta of its gorgeous heart. His work is neither confessional nor rancorously political—the default modes of much contemporary verse.

ISBN 13: 9781847770660

Even his overtly autobiographical poems, usually devoted to his Southern childhood, are never preciously self-regarding, building up to the portentous revelation so dear to the hearts of small poets. Ormsby turns it into a sad, clear-eyed meditation on memory and its duplicitous seductions:. Somehow I had assumed That the past stood still, in perfected effigies of itself, And that what we had once possessed remained our possession Forever, and that at least the past, our past, our child- Hood, waited, always available, at the touch of a nerve, Did not deteriorate like the untended house of an Ageing mother, but stood in pristine perfection, as in Our remembrance.


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Sometimes I fancy that poets and all writers can be distinguished as writing either for children or adults, and either as children or adults. So many are among the former. Their assumptions about the world are one-dimensional and without nuance. Of course, even a mature-minded poet can, on occasion, slip into childishness. Ormsby has been dismissed by some critics as a finicky collector of bric-a-brac, a fuddy-duddy of pretty effects.